Mary E Coleridge

The King with Two Faces. [a Tale.] Mary E Coleridge

Publisher Marketing: Title: The King with Two Faces. [A tale.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC. The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Coleridge, Mary E.; 1897. 421 p.; 8 . 012623.e.16. Contributor Bio:  Coleridge, Mary E William Holman Hunt was born in London on 2 April 1827. A clerk for several years, he left the world of trade to study at the British Museum and the National Gallery. In 1844 he entered the Royal Academy. Here he joined with Millais and Rossetti to develop the Pre-Raphaelite theories of art and, in 1848, to found the Pre-Raphaelite Brotherhood. His first canvas to interpret these themes was Rienzi, exhibited at the Royal Academy in 1849. In 1854 Hunt went to the Holy Land to portray scenes from the life of Christ, aiming to achieve total historical and archaelogical truth. He returned to Palestine in 1869 and again in 1873. Throughout his life Hunt remained dedicated to Pre-Raphaelite concepts, as exemplified in such works as The Light of the World, The Scapegoat and The Shadow of Death. Hunt died in Kensington, London on 7 September 1910.